Lark Staff
...............Our Artistic Team |
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Co-founded the Lark Play Development Center in 1994 as a community of theater professionals dedicated to the playwright’s vision. He has grown the Lark into an award-winning “think tank for the theater,” with local, national and global reach, providing a creative community to thousands of participating playwrights, actors and directors, and a throng of community leaders, donors, volunteers and students. Grew up in Madison, Wisconsin, earned a BA in Dramatic Arts from Amherst College and an MFA in Acting from the National Theatre Conservatory in 1987. He currently sits on the Lucille Lortel Awards Committee, the Advisory Boards of TheatreForum and Transport Group, and the National Theatre Conference. He lives in New York City with his wife, actress Jennifer Dorr White, and two children, Hannah and Jake. |
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After many years of being a core partner of the Lark, Catherine officially joined the team when hotINK became a program of Lark in 2011. She has curated the hotINK Festival since 2002, and has been involved in the development and introduction of new plays, as an actor, director and curator since 1980. She has taught acting at the Tisch School of the Arts Experimental Theatre Wing since 1991; she has also taught at Lang College, Smith College and Brooklyn College as well as in San Antonio de los baños and Havana, Cuba; Santiago, Chile; Minsk, Belarus; and in Graz and Vienna, Austria. As an actor, she worked with directors such as Lois Weaver, Anne Bogart, Andre Gregory and Anna Deveare Smith, and has herself directed work by Keith Curran, Jessica Litwak, Richard Hoehler and Holly Hughes. Catherine is a member of the Lark Play Development Center’s Artistic Cabinet and The Fence International Translation Network, and has served on the Board of Directors of the Epic Theatre Ensemble. She is a member of the Theatre Communications Group International Collaborations Task Force, and the International Committee of the League of Professional Theatre Women. Catherine teaches each fall at the NYU campus in Abu Dhabi, and is currently planning a conference on Middle Eastern Women in Theatre for spring of 2013. |
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Associate Program Director (x244)
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Joined the Lark in March 2002 where she oversees the Roundtable program supporting 80-100 private reading for playwrights each year. The program is designed to offer dramaturgical support to writers at any stage of a play’s process and has supported such playwrights as Leila Buck, Ian Cohen, Katori Hall, Tina Howe, Sam Hunter, Arthur Kopit, Adriana Sevahn-Lloyd Suh, Andrea Thome and Sinan Unel. Suzy has also participated as dramaturg for Lark Barebones® (Waxing West by Saviana Stanescu and Applecove by Lynn Rosen) as well as the Lark’s Studio Retreat program (Free Radicals by Betty Shamieh). Other dramaturgical work includes The Roof by Suzanne Bradbeer at Blue Collar Theater. She is a member of LMDA and has participated as a reader for the Public’s Emerging Writer Group. Also an actor, Suzy has appeared in productions at MCC, Intar, hotInk, New York Stage and Film, Yale Repertory Theater, Portland Stage, and the Kennedy Center. Suzy holds an M.F.A. in Acting from Yale.
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Joined the Lark in September 2006 where she administers multiple submissions processes, program assesments, and writer scouting/tracking. A New York native, she graduated from The College of Wooster with a B.A. in Theatre and English. It was while pretending to be an actor, playwright, director, stage manager, lighting designer, wardrobe dresser, and sometimes sound board operator that she truly discovered her love for theatre as a collaborative art. Her internships at St. Ann’s Warehouse and The Araca Group led directly to the Lark, where she served as Literary Associate for three years before becoming a full time member of the team in 2009. As a co-founder of the Sapling Theatre Company, she recently produced I Hope This Ends Well: A Night of Short Plays at The Cell in Chelsea. Although born admittedly about a century too late for her tastes, Andrea's old soul is energized by the modern world of play development. |
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![]() Lisa Rothe Director of Offsite Programs and Partnerships (x233) |
Joined the Lark in January 2010 where she deals with providing expanded opportunities for playwrights “off campus” and strategic multi-lateral partnerships aimed at advancing new work to production nationally and globally. She has workshopped, developed and directed many new plays. Recent credits include: Interpreting William by James Still (Indiana Repertory); Looking for the Pony by Andrea Lepcio (Synchronicity Performance Group @ Seven Stages in Atlanta); Penelope by Ellen McLaughlin and composer Sarah Kirkland Snider (Getty Villa, Gallatin School in NYC, Princeton University); Couldn’t Say by Christopher Wall (MITF - Best Director Award) as well as productions for NYMF and SPF. She also received an EST/Sloan Foundation grant with composer Kim Sherman and librettist Margaret Vandenburg for work on Ada, a new opera. Alum of the Women's Project Director's Lab as well as a Drama League alum & Fox Fellow. MFA: NYU Graduate Acting. |
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Program Director, U.S./Eastern European Exchange
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Joined the Lark in 2005 as a TCG New Generations Fellow. A multi-award winning Romanian-born playwright and teacher based in NYC. Recent productions include Aliens with Extraordinary Skills Off-Broadway at Women’s Project (published by Samuel French), Waxing West (2007 New York Innovative Theatre Award for Outstanding Full-length Script), and YokastaS Redux at La MaMa Theatre, andWhite Embers at Dramalabbet in Stockholm, Sweden. She holds an MA in Performance Studies (Fulbright fellow) and an MFA in Dramatic Writing from NYU, Tisch School of the Arts where she teaches in the Drama Department. |
Lloyd Suh Director of Onsite Programs (x235) |
Joined the Lark in January 2011 where he oversees "on campus" artistic opportunities, including Playwright's Workshop and alumni programming. He is the author of plays including American Hwangap, The Children of Vonderly, Happy End of the World, Jesus in India, Great Wall Story, and others, produced with Ma-Yi, The Play Company, Ensemble Studio Theatre, Magic Theatre (SF), East West Players (LA), and internationally at the Cultural Center of the Philippines. He was a participient of the NEA Arena Stage New Play Development program, and received an Andrew W. Mellon Launching New Plays Into the Repertoire grant via the Lark, as well fellowships from the New York State Council on the Arts, New York Foundation of the Arts, Jerome Foundation, Theatre Communications Group and the Dramatists Guild. He was a Lark Playwrights Workshop fellow in 2006 and is a current member of the Soho Writer Director Lab. Previous positions held include Co-Director of the Ma-Yi Writers Lab (2006-2010) and Artistic Director of Second Generation (2005-2009). BA Indiana University, MFA Actors Studio Drama School at New School University. |
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Program Director, U.S./México Exchange
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Joined the Lark in 2006. A Chilean-Costa Rican, Wisconsin-born mutt who grew up navigating the multiple landscapes and languages that now inhabit her plays. Her dramas, absurd comedies, play translations and video satires have been presented at theaters, galleries and universities around the U.S. and Latin America. She became a playwright by necessity in San Francisco, where her tiny Red Rocket Theater company avoided eviction by writing and producing a new play every six weeks. Andrea currently co-directs FULANA, a New York-based satire collective (and 2009 Ford Foundation grantee) that creates cutting political/cultural parodies (fulana.org). She has received fellowships from NYFA, the City of Oakland, Lark Playwrights Workshop, INTAR, New York University (MFA Fellow), and the Women’s Project. Past collaborators include, Culture Clash, Latina Theater Lab, Campo Santo and Guillermo Gómez-Peña. Andrea has taught at various universities, schools and cultural centers nationwide. She is a resident playwright at New Dramatists. |
Our Management Team |
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Joined the Lark in July 2006 as Managing Director where he oversees finance, fundraising, board development. Previously, Robertson served as Director of Development at Collaborative Arts Project 21 (CAP21) where he established a comprehensive fundraising program, Membership Director at the National Alliance for Musical Theatre where he oversaw communications nationwide service organization and planned seven national conferences, Managing Director of Assembly Productions, and Director of Annual Fund for Trinity School. He serves on the Louisiana School for Math, Science, and the Arts Foundation Board and has served on panels for the National Endowment for the Arts, NYC Department of Cultural Affairs, Alliance of Resident Theatres/New York, The MAP Fund, and Theatre Communications Group. As a Henry Luce Foundation Scholar, he spent a year in East Asia primarily in Bali, Indonesia. B.A. in Music, Trinity College. Master of Arts Management, Carnegie Mellon University. |
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Joined the Lark in January 2011 as an intern and is now the Development Assistant position where she supports the fundraising department. She graduated from Central Connecticut State University in 2010 with a BA in Economics and while in school worked for local non-profit arts organizations including the Connecticut Ballet, The Buttonwood Tree Performing Arts and Cultural Center, and The Children’s Museum. Since moving to New York City she has enjoyed exploring the world of theatre and looks forward to supporting the Lark community of artists.
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![]() Jenny Lauren Bartolf Office Assistant (x222) |
Joined the Lark in September of 2007 as the marketing intern and has recently returned as the Office Assistant in the General Management Department. Since graduating (B.A. Theater/Literature, Ramapo College of NJ) she has worked for a number of arts organizations including Primary Stages, Samuel French Inc, Plum TV, and Signature Theatre Company. In addition to theater-going and playwright admiring, she is a student at The People's Improv Theater and a fundraising coordinator and foster mom for Badass Brooklyn Animal Rescue. |
![]() Anna Kull Executive Assistant & Intern Coordinator (x232) |
Joined the Lark in September 2005 as an intern and now, in addition to working as Executive Assistant, manages the Lark Internship Program. Also an actress, Anna spent the 2009-10 season at Actors Theatre of Louisville as part of their Apprentice Company. Recent shows include BRINK! and Mike Lew's Roanoke (Humana Festival at Actors Theatre of Louisville); +30NYC (Red Fern); Exposition (the Brick); Mac Roger’s Spike in Gideon’s Blueprint Project; 365 Days/365 Plays (The Public/The Brick); The Adventures of Nervous Boy, Suburban Peepshow and Pulp (Nosedive Productions); Blood Wedding(Woodshed Collective) and workshops with Abingdon, Lark, New Georges, Ma-Yi, Orchard Project and Youngblood. Anna was part of the award-winning Whitley Improv team in Melbourne, Australia and is the co-writer/performer of Dressing Miss Julie (FringeNYC, recipient of a Fringe Excellence Award). In 2010 Anna made her Off-Broadway debut as Veronica in New Georges’ production of Emily Devoti's Milk. BA from Vassar College. |
Joined the Lark in July 2011 where he oversees the scheduling and logistics of all programming in addition to artistic hospitality and travel, office management and budgeting.
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Joined the Lark in August 2006 where he oversees marketing and community outreach. A playwright originally from Los Angeles. He is the inaugural recipient of the La MaMa ECT Emerging Playwright Award, as selected by Sam Shepard, also a Sundance Institute Time Warner Storytelling Fellow and a two-time Artist in Residence at Mabou Mines, and currently a 2012 terraNOVA Groundbreakers Playwright, and a Brooklyn Arts Exchange Artist In Residence. He has been a finalist for InterAct's 20/20 Commission, as well a semi-finalist for the Princess Grace Award, P73 Fellowship, O’Neill Playwright Conference. He was a Playwrights of New York (PONY) nominee at the Lark and Alternate Recipient of New Dramatists' Van Lier Award. He holds an M.F.A. in Playwriting from The Actor’s Studio Drama School, a B.A. in Playwriting from UC Santa Barbara, and was given UCLA’s GOP Award for Graduate Playwriting. He is a reader for the NEA Outstanding Play Award, member of NoPassport's Hibernating Rattlesnakes and was the Co-founder & Artistic Director of woken’glacier theatre company. His play i put the fear of méxico in'em has been developed in part by the Sundance Institute Time Warner Storytelling Fellowship, INTAR, the Lark, and the Inkwell at the Kennedy Center and The Working Theatre in NYC. He will world-premiere a new work at La MaMa ETC. in spring 2013. www.matthewpaulolmos.com |
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Consultants
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Graphic Design
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Jeffrey Jackson |
Bookkeeper |
David Reynolds |
Development Consultant
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Abby Schaefer |
Marketing Consultant
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Donna Walker-Kuhne |
Interns
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![]() Lily Padilla Development |
An actor, playwright and alumna of NYU Tisch (Experimental Theater Wing and Playwrights Horizons Theater School) and North Carolina School of the Arts Drama Program, Lily has appeared in works by Taylor Mac, The Talking Band, Kelly Maxner and Cynthia Hopkins. She created several pieces at NYU including Waking Up to Color and The Community Pool Where Mister Ted Died Last Summer. Shortlyafter graduation, Lily grabbed a backpack and became a world wanderer. She began in Iceland and made her way as far east as Indonesia, country-hopping along the way. She spent most of her time in Northern India where she studied meditation and became a certified yoga teacher. Now back in New York, Lily is looking to surround herself with a community of proactive, vibrant artists as she explores the challenges and rewards of the creative journey. |
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An actor, director and playwright with a BFA from Tisch School of the Arts at NYU. While in school, he had his first full-length play "Songs I Never Heard With You" produced by the Tisch GAP Board. Since graduating he has worked with Fresh Ground Pepper, Tongue in Cheek Theater, and EBE Ensemble to cultivate new work in the city. He has directed plays at the Barrow Group Theater, Teatro Iati, Arthur Seelen Theater, and Manhattan Repertory. His writing includes FOURPLAY (The Red Room), DOGGY STYLE (The Tank), and THEME IS GREEN (3LD Art and Technology Center). His current focus is to surround himself with talented writers in order to observe the different ways in which they work. |
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A recent graduate of the BFA Dramatic Writing program at SUNY Purchase College, he has worked with the All Stars Project/Castillo Theatre, Turnstyle Theatre Company, and The Center for Fiction. His plays have been produced by the Henry Street Settlement and Purchase Repertory Theatre. He wrote and associate produced THUNDERSTRUCK (dir. Ryan Guiterman), an official selection of the New York Young Artists Film Festival, which will be screening at MOMA later this year. |
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A playwriting MFA student at Columbia University and a member of the Ma-Yi Writers Lab. Her work has most recently been presented with Ars Nova’s ANT Fest, Ma-Yi Theater Company, 2g, the LA Asian Pacific Film Festival, and the SF International Asian American Film Festival. Sam also teaches undergraduate writing at Columbia University, co-runs bicoastal artist salon series Laundry Party, and hosts a podcast on whfr.org. Her first solo play, LYDIA’S FUNERAL VIDEO, is forthcoming from Kaya Press. More information at www.samanthachanse.com |


















