MEET THE 2006-2007 FEATURED PLAYWRIGHTS...
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| Enrique Urueta | |||
| Alina Nelega |
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Rachel Axler(Playwright Workshop Fellow); an Emmy award-winning writer for The Daily Show with Jon Stewart. Her plays have been produced by Vital Theatre, Lookingglass Theatre, Spring TheatreWorks, Slant Theatre, NY Int'l Fringe, Brooklyn Rep and Cal Arts, and she wrote the screenplay for a short musical film, 11 (music: Brad Alexander, lyrics: Jim McNicholas) which was produced by Raw Impressions. Short pieces of hers are published in editions of Monologues for Women, By Women (Heinemann), McSweeney's Internet Tendency, and In Character. 2004-2005 Dramatists Guild Fellow. B.A., Williams College. M.F.A., UCSD. Member, Dramatists Guild. |
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Tanya Barfield (Playwright, UNFINISHED WILSON PLAY)
Tanya Barfield’s plays include: BLUE DOOR, DENT, THE QUICK, THE HOUDINI ACT, 121º WEST and PECAN TAN. She has workshopped her plays at the Sundance Theatre Lab, New York Stage & Film, New York Theatre Workshop & Seattle Rep’s Women’s Playwright Festival. Short plays produced: MEDALLION (Women’s Project/Antigone Project), FOUL PLAY (Royal Court Theatre, Cultural Center Bank of Brazil), OF GIRL & WOLF and WANTING NORTH (Guthrie Theatre Lab, published in: Best 10-Minute Plays of 2003. She wrote the book for the Theatreworks/USA children’s musical, CIVIL WAR: THE FIRST BLACK REGIMENT. She was a recipient of the 2003 Helen Merrill Award for Emerging Playwrights, 2005 Honorable Mention for the Kesselring Prize for Drama, a 2006 Lark Play Development/NYSCA grant and she has been twice been a Finalist for the Princess Grace Award. Tanya has been commissioned by Playwrights Horizons, the Mark Taper Forum and South Coast Repertory. Her play, BLUE DOOR, received a world-premiere at South Coast Repertory and is appearing at Playwrights Horizons, Seattle Repertory and Berkeley Repertory in the 2006/2007 season. |
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Anton Dudley (Playwright Workshop Fellow)
Off-Broadway: Getting Home (Second Stage Theatre Uptown); Slag Heap (Cherry Lane Theatre); Honor and the River (SPF’04); Davy & Stu (Ensemble Studio Theatre Marathon). Other NY: BOB, This Ball of Mud & Fire, Honor and the River (New York Stage & Film); Pleaching the Coffin Sisters (EST); Flight of Kings (Baryshnikov Arts Center); The Lake’s End (Adirondack Theatre Festival, HotINK Festival); January 1, 2000 (Lincoln Center Theater@HERE), SpeakEasy (Fire Dept@Joe's Pub); Antarctica (Vital Theatre); Davy & Stu (Directors Company, Bread & Water Theatre); edWARd2 (FringeNYC). Regional: Honor and the River (Luna Stage NJ); Slag Heap (Theatre Pro Rata MN); Pleaching the Coffin Sisters (Momentum Productions TX, New Works/New Haven CT); Prelude Festival (Kennedy Center); Spamlet (Cherry Red Productions DC). Publications: PLAY A Journal of Plays (Vol. II), Monologues for Men by Men,Vols. I+II (Heinemann Press), New American Short Plays 2005 (Backstage Books) edited by Craig Lucas. Fellowships: Manhattan Theatre Club; Dramatists Guild; Cherry Lane Mentor Project; New York Theatre Workshop; First Look Theatre Company; NYU/BAC. Short Film: Davy & Stu (No Pressure Productions, released by Strand Releasing on Boys Life 6, Official Selection of 52 International Film Festivals on 5 continents). An Assistant Professor at Adelphi University, Anton is a three-time alumnus of Arthur Kopit's Playwrights Workshop at the Lark Play Development Center, a member of NYTW's Usual Suspects, and is currently under commission from Keen Company and Playscripts, Inc. |
| Marcus Gardley (Playwright Workshop Fellow & Playwrights Week) A poet-playwright who teaches Creative Writing at Columbia University. His play Love is a Dream House in Lorin recently closed in Berkeley, California to critical acclaim and was nominated for the National Critics Steinberg New Play Award. He has had six plays produced some of which are: dance of the holy ghost at Yale Repertory Theater, (L)imitations of Life, at the Empty Space Theater, and like sun fallin in the mouth at the National Black Theatre Festival Winston-Salem. He was the recipient of the Gerbode Foundation Emerging Playwright Award, the Mid Atlantic Arts Foundation artist grant, the Eugene O’ Neil Memorial Scholarship and the ASCAP Cole Porter Prize. He holds an MFA in playwriting from the Yale School of Drama and is a member of New Dramatists and is a resident writer at the Lark Play Development Center. |
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Colin Greer (Playwright, SPINOZA)
was born in London. Passionate about the theater, he played Puck and the Dauphin in school productions. He was accepted by the Royal Shakespeare Company, but chose instead to pursue his bachelor’s degree at the London School of Economics. Leaving London for New York in 1965, he has written and edited eleven books, many in the field of education, and served as Editor for Social Policy Magazine and Change Magazine. He continues to work as a contributing editor to Parade Magazine and serves on the editorial boards of several academic and political publications. He is a professor of History and Social Theory and the president of the New World Foundation. |
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Jason Grote (Playwright Workshop Fellow) Plays include 1001; This Storm is What We Call Progress; Hamilton Township; Maria/Stuart, or Platzangst; and Box Americana. His work has been presented at The 92nd Street Y's Makor/Steinhardt Center, Baltimore CenterStage, The Brick, Circle X, Clubbed Thumb, CUNY's Prelude '06 Festival, Denver Center Theater, The Glej Theater (Ljubljana, Slovenia), HERE, The Lincoln Center Directors' Lab, The NY Fringe, The O'Neill, The Playwrights' Foundation, Salvage Vanguard, Soho Rep, Theater @ Boston Court, Theater J, The Williamstown Theater Festival workshop, and The Working Theater. Honors include a nomination for the Kesselring Prize; finalist for the Weissberger Award; The P73 Playwriting Fellowship; and "Best New Play" (for 1001) from Denver's alternative weekly, Westword. He is currently under commission from Denver Center Theater and Ensemble Studio Theatre/Sloan Foundation, and is a member of PEN and New Dramatists. Upcoming: 1001 will receive produtions with the Contemporary American Theater Festival, P73, and A.C.T. (Seattle); he will be accompanying the performance group Radiohole to their Orchard Project residency to work with them on their newest creation; and Box Americana will be developed in Portland Center Stage's JAW/West Festival. Visit him at jasongrote.com. |
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David Henry Hwang (Playwright, YELLOW FACE)
was awarded the 1988 Tony, Drama Desk, Outer Critics, and John Gassner Awards for his Broadway debut, M. Butterfly, which has been produced in over three dozen countries, including Romania, where it played the Odeon Theatre. For his play Golden Child, he received a 1998 Tony nomination and a 1997 OBIE Award. His new book for Rodgers & Hammerstein's Flower Drum Song earned him his third Tony nomination in 2003. Hwang also co-wrote Disney's international musical hit Aida, with music and lyrics by Elton John and Tim Rice, winner of four 2000 Tony Awards. Other plays include FOB (1981 OBIE Award), The Dance and the Railroad (1982 Drama Desk Nomination), Family Devotions (1982 Drama Desk Nomination), The Sound of a Voice, all produced Off-Broadway at the New York Shakespeare Festival Public Theatre, and Bondage (Actors Theatre of Louisville). His opera libretti include three works for composer Philip Glass, 1000 Airplanes on the Roof (International Tour), The Voyage (New York’s Metropolitan Opera) and The Sound of a Voice (American Repertory Theatre in Boston), as well as The Silver River (New York's Lincoln Center Festival) with music by Bright Sheng and Ainadamar (Santa Fe Opera, Lincoln Center) with composer Osvaldo Golijov. Hwang penned the feature films M. Butterfly (dir. David Cronenberg), Golden Gate (dir. John Madden), and Possession (co-writer, dir. Neil LaBute), and co-wrote the song "Solo," released on the album "Come" by composer/performer Prince. Upcoming productions include Disney's new musical Tarzan, with music and lyrics by Phil Collins, which opened on Broadway in May 2006; his new play, Yellow Face, which will premiere at the Public Theatre in 2006-07; The Fly, an opera based on David Cronenberg's movie with music by Howard Shore for the Los Angeles Opera and Paris’ Théâtre impérial du Châtelet ; and a new Alice in Wonderland with music by Unsuk Chin, for the Bavarian National Opera in Munich. Mr. Hwang serves on the Council of the Dramatists Guild (the American organization for playwrights, composers, and librettists) and was appointed by President Clinton to the President's Committee for the Arts and the Humanities. |
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Rajiv Joseph (Playwright, BENGAL TIGER AT THE BAGHDAD ZOO)
Joseph’s play “All This Intimacy” was produced this summer at New York’s Second Stage in their Summer Uptown Series. His play “Huck & Holden” is currently in production at at the Black Dahlia Theater in Los Angeles. “Huck & Holden” was also produced this past winter at the Cherry Lane Theatre in New York where the play originated, the previous spring, as part of the theatre’s Mentor Project, selected and mentored by playwright Theresa Rebeck. He is a member of the brand new theater group “The Fire Dept. and is one of 10 writers in their upcoming production of “Speak Easy” at Joe’s Pub. He was a playwright fellow at the Lark Play Development Center where, through that fellowship, he traveled this past April to Mexico City where a translation of his play Bengal Tiger at the Baghdad Zoo” was performed as part of the Centro Helenico Drama Week. Rajiv was a 2004-2005 Dramatists Guild Fellow. He received his MFA in Playwriting from NYU's Tisch School of the Arts and also holds a B.A. in Creative Writing from Miami University. He served in the Peace Corps from 1997-2000 in Senegal, West Africa. |
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Jessica Litwak (Playwright, TERRIBLE VIRTUE) Her work has been published by Applause Books, Smith and Krause and The New York Times. Her plays include: Emma Goldman: Love Anarchy and Other Affairs directed by Anne Bogart and produced by The Women’s Project and Productions, Bogart and she also collaborated on Between Wind a play commissioned by The Music Theatre Group. A Pirate’s Lullaby which won The Oregon Book Award, The Drammy Award, was produced in Oregon, California, Off Broadway in New York and in Chicago at The Goodman Theatre. The Promised Land, commissioned by The National Federation of Jewish Culture, was produced in New York and Budapest. Her play Secret Agents , was produced in Hollywood at The Renberg Theatre.. Victory Dance was produced at the DR2 in New York and at The Davidson Valentini Theatre in Los Angeles where it received a Garland Award and an Ovation Award nomination for Best World Premiere. The Moons Of Jupiter was performed at The Renberg Theatre in Los Angeles and 22 Fillmore was commissioned for NYU. Love Is Not All, is Litwak’s collection of one acts and Divine Mischief: The Art of Creative Voicing is her book on combing voice work with writing. Litwak attended The Royal Academy of Dramatic Art, received a BFA with honors in Acting from New York University and an MFA in Playwriting from Columbia University. She has been on the full-time theatre faculty of San Francisco State University and Los Angeles City College. She has taught theatre at Columbia, NYU, Marymount Manhattan , AMDA and the Stella Adler Academy. She was the Director of Drama at The Poughkeepsie Day School, where she wrote and directed Postcards from Canterbury (based on The Canterbury Tales) and The Great Journey Home (based on The Odyssey) She is the Founder and Artistic Director of The New Generation Theatre Ensemble, a theatre company and training program for teens and young adults. NGTE plays Verona High and GRIM -written and directed by Litwak- have been performed in New York City and in the Hudson Valley. Her new play War, An American Dream will be produced by NGTE this spring. |
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Alina Nelega (Playwright, AMELIA BREATHES DEEPLY) B. 1960 Based in the Transylvanian city of Tirgu Mures, is a playwright and fiction writer, jurnalist and theatre director, member of The Romanian Writers’ Union and of The UNITER (Romanian Theatre Union). Her plays have been translated and published in French, English, German, Hungarian, Polish and Russian, and have been either performed or read in Romania and Hungary, as well as internationally, in London, Zurich, and New York. She participated in festivals and cultural exchanges in Europe (Ireland, Switzerland, Holland, Germany) and in the USA (New York Fringe Festival), and was a beneficiary of international residencies at the Royal Court Theatre andThe Bush Theatre (London). She also runs playwrighting workshops, teaches and directs new writing. She writes and directs radioplays. She introduced to the Romanian audiences Eve Enslers’ The Vagina Monologues. She is a recipient of several awards, including the „Play of the Year 2000” award (UNITER), and qualified as a Ph.D. in theatre studies (The University of Bucharest). |
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Peca Stefan (Playwright, BUCHAREST CALLING) Born in 1982, he won the dramAcum prize (the Romanian award for best new playwright) in 2002. His education includes New York University and he was one of the Royal Court International Playwriting Residents in 2005. Currently, he has productions of 5 of his plays in Bucharest; Romania: The Sunshine Play, New York [Fuckin’ City], Bucharest Calling (MONDAY Theatre at Green Hours), I H?TE HELEN (ArCub), Station (Comedy Theatre), Colors (Small Theatre). His play Romania 21 is currently in production at the National Theatre in Timi?oara. His plays have been translated into English (The Sunshine Play, Bucharest Calling, Colors, Romania 21, The Complete Truth About the Life and Death of Kurt Cobain, New York [Fuckin’ City], I H?TE HELEN), French (U.F.), German (Romania 21, Nils’ fucked-up Day, Jazz), Turkish (Romania 21), Italian (The Sunshine Play) and Bulgarian (I H?TE HELEN, The Sunshine Play). His work has been presented in New York (The Lark Theatre, New York University), London (as part of the Royal Court International Residency), Dublin (Dublin Fringe Festival), Berlin (Schaubuehne Theatre), Wiesbaden (New Plays From Europe Biennale), Graz and Leeds (JANUS project), France (Paris, Lyon, Grenoble, Avignon), Sankt Petersburg (RAINBOW Festival), Rome (Teatro Valle) and in many national festivals in Romania. Peca is the founding member of the BLA Theatre Company and has started the Scrie o piesa program for high school playwriting. He is currently the executive producer of the one hour drama TV series California (Media PRO Studios, Romania). |
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Enrique Urueta (Playwright, DANGER OF BLEEDING BROWN) Colombian-American, by way of Virginia, Enrique Urueta was educated at The College of William and Mary where he studied theatre and geology and is currently in the MFA playwriting program at Brown University. In August 2003, Impact Theatre in Berkeley, produced his ten-minute play The Johnson Administration . His play The Danger of Bleeding Brown had its first staged reading at the 2005 National Queer Arts Festival. His one-act play Learn To Be Latina received staged readings in the 2005 Bay Area Playwrights Festival and U-Mass Amherst and was produced by Golden Thread Productions in San Francisco. He is a recipient of a 2005 Theater Bay Area CA$H Grant for the ongoing development of Learn To Be Latina, the full-length version of which had a staged reading at the 2006 National Queer Arts Festival. He is a proud member of NoPassport, a pan-American theatre coalition devoted the advocacy of Latino/a and hemispherically-minded work. |
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Jeroen Van Den Berg (Playwright Workshop Fellow) A playwright-director who teaches at the Directors of the Amsterdam Drama Academy. He was awarded the Drama Encouraging Price of the City of Amsterdam for his debut Bosch International in 1993, and the Dutch/Flemish Drama Award 2003 (Taalunie Toneelprijs) for his play Blowing. Blowing has been produced by several Dutch companies. in june 2007 Blowing will be presented at the Monchengladbach/Krefeldt Stadtheater (Germany). His work has been presented by Het Oranjehotel, the theatre company he co-founded in 1993, as well as by other companies like Theater van het Oosten (Arnhem) and FACT (Rotterdam) Additionally, he directed and adapted repertory such as The Seagull (Chechov), The Misantrope (Molière), The Birthday Party (Pinter), Private Lives (Coward) and Ivanov (Tsjechov). Translated plays: Polaroid (English, German, Bulgarian) Blowing (English, German) Schopenhauer’s Wife (Tsjech). www.jeroenvandenberg.com |
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Tracey Scott Wilson (Playwright, THE GOOD NEGRO) Current work includes THE STORY, which was first produced at The Joseph Papp Public Theater/NYSF starring Phylicia Rashad, and transferred to the Long Wharf Theatre. THE STORY has since been produced at thirty theatres nationwide. Additional productions include ORDER MY STEPS for Cornerstone Theater’s Black Faith/AIDS project in Los Angeles; and EXHIBIT #9, which was produced in New York City by New Perspectives Theatre and Theatre Outrageous; LEADER OF THE PEOPLE produced at New Georges Theatre; two ten-minute plays produced at the Guthrie Theatre in Minneapolis; and a ten minute play produced at Actors Theatre of Louisville. Tracey has had readings at the New York Theatre Workshop, New Georges Theatre, The Joseph Papp Public Theater and Soho Theatre Writers Centre in London. She earned two Van Lier Fellowships from the New York Theatre Workshop, a residency at Sundance Ucross and is the winner of the 2001 Helen Merrill Emerging Playwright Award, the 2003 AT&T Onstage Award, the 2004 Whiting Award and as well as the 2004 Kesserling Prize. Ms. Wilson holds a Master’s degree in English Literature from Temple University. |















